We call it a grain of sand
but it calls itself neither grain nor sand.
It does just fine without a name,
whether general, particular,
permanent, passing,
incorrect or apt.
Our glance, our touch mean nothing to it.
It doesn't feel itself seen and touched.
And that it fell on the windowsill
is only our experience, not its.
For it it's no different than falling on anything else
with no assurance that it's finished falling
or that it's falling still.
The window has a wonderful view of a lake
but the view doesn't view itself.
It exists in this world
colorless, shapeless,
soundless, odorless, and painless.
The lake's floor exists floorlessly
and its shore exists shorelessly.
Its water feels itself neither wet nor dry
and its waves to themselves are neither singular nor plural,
They splash deaf to their own noise
on pebbles neither large nor small.
And all this beneath a sky by nature skyless
in which the sun sets without setting at all
and hides without hiding behind an unminding cloud
The wind ruffles it, its only reason being
that it blows.
A second passes
A second second.
A third.
But they're three seconds only for us.
Time has passed like a courier with urgent news.
But that's just our simile.
The character's invented, his haste is make-believe,
his news inhuman.
but it calls itself neither grain nor sand.
It does just fine without a name,
whether general, particular,
permanent, passing,
incorrect or apt.
Our glance, our touch mean nothing to it.
It doesn't feel itself seen and touched.
And that it fell on the windowsill
is only our experience, not its.
For it it's no different than falling on anything else
with no assurance that it's finished falling
or that it's falling still.
The window has a wonderful view of a lake
but the view doesn't view itself.
It exists in this world
colorless, shapeless,
soundless, odorless, and painless.
The lake's floor exists floorlessly
and its shore exists shorelessly.
Its water feels itself neither wet nor dry
and its waves to themselves are neither singular nor plural,
They splash deaf to their own noise
on pebbles neither large nor small.
And all this beneath a sky by nature skyless
in which the sun sets without setting at all
and hides without hiding behind an unminding cloud
The wind ruffles it, its only reason being
that it blows.
A second passes
A second second.
A third.
But they're three seconds only for us.
Time has passed like a courier with urgent news.
But that's just our simile.
The character's invented, his haste is make-believe,
his news inhuman.
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